It’s funny to think how unenthusiastic I was about 2010′s strategy prospects when the year began. I was indifferent to Starcraft II, had no idea a new Civilization was in the making, and had never heard of Achtung Panzer: Kharkov 1943. The only game that sounded interesting, and this was me really reaching for something to care about, was Ubisoft’s gimmicky-sounding RTS, R.U.S.E. But nothing beyond the deception mechanics sounded interesting, and the thought of a WWII RTS from a developer I’d never heard of was profoundly unappealing.
But here we are in the September of what has been a solid year of strategy gaming, and RUSE has proven to be one of the best entries so far, and an almost ideal cure for what ails the RTS genre. The beta showed that RUSE had a great interface and some good faction balance, and the final product confirms that Eugen Systems unexpected bridged the gap between wargamers and RTS gamers, and put the casual gamer first.
My review is up at GameShark. It’s the highest score I’ve awarded a game yet, but I simply adore the genre blending at work in this design. I’m in good company. The gentlemen of Rock, Paper, Shotgun have said that, “It’s a game men should play.” And indeed they should.
However, my review would have been even more positive had Eugen Systems not created an utterly dreadful campaign. Almost against my will, I had to dock the game for making something so shoddy a part of this excellent package. Over at Gamers With Jobs, I explored some of the major sources of disappointment with this campaign, and some of the troubling things it, and other games, have revealed about the state of game development in France.
But really, there’s no limit to the nasty things one could say about this campaign. It’s sexism is utterly appalling, with a completely fictitious femme fatale introduced as a major player in shaping Allied strategy in WWII. Okay, we know that’s pretty much crap, women working for the War Dept. in the 1940s were more likely to be stuck in the typing pool than made an emissary to front-line generals, but we can roll with it. Except that the only reason this woman is a part of the story is to play the role of Lady Macbeth, using sex and manipulation to bring men to ruin and turn them against one another.
You know, like women always do.
But all of that is secondary to what RUSE is really about: multiplayer WWII combat. On those grounds, it’s a smashing success. Now go read my review and learn why.